THEKITEMAG ISSUE #54
We had the great pleasure of meeting up with professional photographer Harry Winnington on Rhodos, Greece during our holidays this summer. Photoshoots are always a process, with many things to be considered and if needed adjusted during the photo session. Together with Harry’s experience and input, and our implementation, we have put together a winning formula of how to get the best results for your kite photos even if you don’t have a camera that’s worth $10k+! Let’s look at camera and shooting equipment, location, time of day, trick selection and posture during the trick, distance to the photographer, and creativity.
Riders: Andrea Zust and Peer Schnyder
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